C.M. Russell Museum – Selections From The North American Indian by E.S. Curtis

Museum Hours: Wednesday–Sunday, 10AM to 5PM

Selections From The North American Indian by E.S. Curtis

Opening June 21, 2017

Edward Curtis was born in 1868 and grew up in poor in rural Minnesota. His youthful interest in photography led him to construct his first camera at age twelve and learn how to process prints, thus embarking on his lifelong photographic career. At seventeen he apprenticed to a photographer in St. Paul and in 1887 he bought a half interest in a photographic studio and a second camera when his family relocated to Seattle. His success as a portrait photographer gave him the freedom to pursue his love of the great outdoors and this activity brought him into contact with George Bird Grinnell, a noted conservationist and author. Grinnell invited Curtis to Montana to photograph the Blackfeet, an experience that would inform his lifetime of work among the other Native tribes. By 1900, these experiences had led Curtis to embark upon an undertaking that would consume him for the next thirty years. This project was the creation of his greatest artistic achievement, the twenty-volume publication, The North American Indian, a magnum opus that captured the lives and landscapes of Native Americans who were transitioning from their traditional ways of life to life on the reservations. Today this work stands as a landmark in the history of photography, book publishing, ethnography, and the American West.

Selections From The North American Indian by E.S. Curtis will feature 27 of Curtis’ photogravures from his monumental work that feature Montana tribes (Kootenai, Cree, and Blackfeet) and landscapes chosen from the museum’s permanent collection. Over his lifetime, Curtis produced over 40,000 photographs of Native peoples. Curtis’ pursuit was one of salvage ethnography and artistry; his goal being to document and preserve Native peoples’ cultural legacy for future generations by creating a permanent record of their lives in photographs, film, sound, and text. Although competing notions of authority persist in his work, it was ultimately a process of artistic collaboration in which the Native people were active participants and co-creators. To view Curtis’ work in its entirety is to understand its contribution as an aesthetic, cultural, and historical record of enormous importance.